Negative Freedom in the Character of Enola Holmes: Isaiah Berlin’s Perspective on Liberalism

Abstract

This study explores the portrayal of negative freedom as conceptualized by Isaiah Berlin
in the character of Enola Holmes in the film Enola Holmes (2020). The research aims to
identify aspects of Berlin’s liberalism reflected in the narrative, to describe how Enola
exemplifies the principles of negative freedom, and to highlight the significance of
achieving such freedom in a patriarchal society. Employing a qualitative method, this
analysis focuses on narrative and visual elements that reflect Berlin’s concept of negative
freedom. The data were collected by identifying scenes and applying the theory. Enola’s
physical and mental transformation is central to her personal growth, demonstrating how
the film explores the themes of self-discovery and autonomy. The findings reveal that
Enola’s journey represents a compelling embodiment of Berlin’s negative freedom. At the
film's outset, Enola is subjected to patriarchal restrictions, particularly through the control
exerted by her brother Mycroft. Her decision to search for her mother marks a pivotal
moment in reclaiming her autonomy, as she begins charting her own path. The analysis
further demonstrates that Enola’s struggle against societal norms and her eventual self
acceptance signify a transformative journey toward individual freedom. Through her
defiance of external controls, Enola exemplifies Berlin’s concept of negative freedom,
underscoring the importance of autonomy in fostering personal growth and liberation. This
research highlights the enduring relevance of Berlin’s liberal philosophy in contemporary
narratives.